Thursday
May172012

CINECLUB 

LOST AND FOUND recently screened at CINECLUB in Australia - and one of the activities they suggested to schools after watching the film with their students was to create a movie poster for the film. They have sent us a few to have a look at and we love them!

We always like to see what our younger audience thinks and the selection from Rangebank Primary School that's posted HERE is great!

Bobble Hats off to all these fine young artist designers!

Wednesday
May022012

RELIGHT MY FIRE

STUDIO AKA ignites the Olympic Torch Relay.
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Commissioned by RKCR/Y&R & Red Bee Media, STUDIO AKA were tasked with creating a sequence that referenced the graphic signature of the 2012 Olympic torch design - created by BARBER OSGBERBY - as it is carried by the myriad of relay participants to the spot where the 2012 Games begin. 

AKA Director KRISTIAN ANDREWS looked to the 8,000 perforations in the torch - each representing the 8,000 people who will carry it on its journey around the UK - to create an impressionistic world rendered in shimmering golden dots of light & traversed by Olympic torchbearers. The film reflects the mood of excitement & elation befitting the commencement of the games - all set to a rousing score composed by ELBOW - and will be aired on the BBC from May 1st onwards, running on until 27th July when the games open.
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WATCH it HERE
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Thursday
Apr192012

YEAH JUST THERE

Oh I say...
Visual festival boffins ONEDOTZERO celebrated their 15th anniversary in 2012 and to celebrate they asked 15 artists - including AKA's GRANT ORCHARD - to make various 'Granimator apps'  - a wallpaper generation app created by Design Studio USTWO. 
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The app allows the user  to select from a choice of shapes, styles and backgrounds. Each shape represents a sound that can be manipulated and played and users can draw, erase, move, scale & rotate these assets to create compositions. 
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Seen HERE is Grant's one minute - ahem - love letter to onedotzero, based on the reduced graphic artwork and sound from the app.
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Created for ONEDOTZERO & USTWO
Visuals: GRANT ORCHARD
Sound: NIC GILL
Production: STUDIO AKA
 
Monday
Apr162012

EVERYBODY HERTZ

TRAVELING AT THE SPEED OF HERTZ


Blacklist and Studio AKA have completed five spots in a new TV & print campaign for Hertz that focuses on the tagline 'Traveling at the Speed of Hertz' - a brand centred awareness push highlighting Hertz’s focus on streamlining the airport connection distance between customers and the cars they choose.

Revolutionizing the category with new and improved service features, Hertz reaffirms its commitment to continuously move in the direction of innovation and offer a faster more personalized rental experience. To differentiate from others in the category, the new Traveling at the Speed of Hertz campaign communicates the brand’s strengths of innovation, speed and service.

“We are so thrilled to partner with Studio AKA on this campaign,” says Adina Sales, Managing Director, Blacklist. “We have been keen to bring AKA's amazing talents to the US Market, and have been actively seeking the right collaborative opportunity for them. The Hertz campaign, via DDB NY, was the perfect fit. AKA raises the bar on smart thinking, clever design and great storytelling. The stars aligned for this project and the result is smart, fresh work."

The 15 second “Carfimation” spot kicks off the campaign and features a passenger switching on his phone as his plane parks up at the gate - to be greeted by a text message from 'his' car. The message is somewhat more personal than expected and our blushing businessman gets quite hot under the collar in anticipation...

Working with Blacklist to come up with some designs for the new campaign, Studio AKA looked to sought after Designer Christopher Gray to come up with what had to be a strikingly minimal yet still engaging look to carry across the campaign. Gray’s designs hit the spot with Hertz and AKA teamed him up with recent Oscar Nominated director Grant Orchard to collaborate on the campaign. In addition to the stand alone mnemonic which starts each spot, AKA were tasked with tweaking the existing Hertz mascot Horatio to fit the more angular stylings of the end campaign - and with the reassuring VO courtesy of Owen Wilson - the spots were kept deliberately sparse, with effort made to hold back on excessive details. The Series rolls out over the next few months and the spots feature 2D character & set elements created by hand in Flash with the 3D vehicles built & composited in XSI and After Effects. 

Watch them HERE

Credits:
CLIENT: HERTZ
AGENCY: DDB New York
DIRECTORS: GRANT ORCHARD & CHRISTOPHER GRAY 
DESIGNER: CHRISTOPHER GRAY
PRODUCTION Company: STUDIO AKA / Blacklist

 

Wednesday
Mar212012

AKA on iTunes & DVD

iTUNES - Just Added: A MORNING STROLL...

UK store links, Other territories available. 

  • Download A MORNING STROLL HERE
  • Download LOST AND FOUND HERE
  • Download VARMINTS HERE
  • Download JO JO IN THE STARS HERE

 

 

Buy the LOST AND FOUND DVD...

 

 

 

VARMINTS Soundtrack on AMAZON HERE

'AND IN THE ENDLESS PAUSE THERE CAME THE SOUND OF BEES'

 Composer Jóhann Jóhannsson draws the title of his latest album from the original VARMINTS book written by Helen Ward and illustrated by Marc Craste and is the music he composed for the a 24-minute film version, Directed by Marc Craste at STUDIO AKA.

PITCHFORK REVIEW'As a recording, the album displays a few sides of Jóhannsson we haven't heard before. Among his albums to date, it's one of the most musically active, and befitting its origin, also the most soundtrack-y, which means something for a guy working in a genre frequently referred to as cinematic. We first got to know the Icelandic composer through two brilliant minimal electro-orchestral albums, Englabörn and Virðulegu forsetar, both of which displayed a knack for unifying the whole work by exploring and re-exploring the same themes in different contexts. And in the Endless Pause does the same, returning to a series of motifs and using the orchestration to imply different meanings each time. Though it does incorporate some of Jóhannsson's trademark electronic treatments, this is largely an orchestral and choral work, given a vividly atmospheric, almost spectral performance by the Prague Philharmonic Orchestra and Choir.'

— Joe Tangari, March 29, 2010